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NCBI Bookshelf. The Restless Compendium: Interdisciplinary Investigations of Rest and Its Opposites.

Basingstoke UK: Palgrave Macmillan; Authors Emma Wome. Here, Emma asks: Could this spectatorial practice aimed at attaining lookingg dreamy, sleepy passivity be reframed as an active research practice? And, might this male pegging pictures move raise productive theoretical questions about activity and passivity, questions that open on to the ethics of rest and its opposites? Our encounters take place in a vague but easily imagined context.

I m looking for some relief room, domestic yet anonymous. A feeling of the door being closed.

Use relief in a sentence | relief sentence examples

Not secretive so much as legitimately, respectfully private. My perception of this space is ever so slightly blurred at the edges. Her face fills my vision. She looks into gay sex vietnam eyes, and she looks at my eyes. She speaks to the space where my face would be.

I can help you with your migrainesshe says, but first we will have to do some examination that will include checking your face and your facial muscles. As she says this she brings both her hands to her own face — she touches it twice, indicatively, symmetrically, ethiopian beautiful woman perfectly straight fingers.

So let me get startedshe says. Her hand comes towards me. Fingertips blur as they appear in my vision close up. Her gaze is fixed somewhere below my eyes, as her thumbs and fingers i m looking for some relief at the outer edges of … what? My vision? Or my face?

The four corners of it — upper eyebrow, lower jaw — drawn or dabbed gently on to the space between and in front of us. This is Olivia: But I strongly feel the contiguity of our rooms, hers opening on to mine with this as the window — thismy screen, my face.

A two-sided role play. She pretends to see me: This is how it works. She looks intently in my direction, and I feel that gaze, tangibly, on my i m looking for some relief.

I m looking for some relief

She is smiling, but serious, and speaks with the calm, attentive sme of a medical professional. But the glasses she is wearing are too big; they keep slipping down her nose. A reminder that her seriousness, although it is earnest, is not entirely.

It is not only her performance, it is mine. I have to spme along with it, even just i m looking for some relief tiny bit, for it to work. I have to receive these recorded, mediated attentions as if they were really directed at me, personally, in the here lookung. And it works: Is this something my louisville chatting dating online does on its own?

It somehow feels that way, but cannot be, for it is the verbal cue that calls my jaw into play.

For me, ASMR is less a question relied biological autonomy than linguistic agency — of a body felt, a self experienced, through language. She pretends to see me, speak to me.

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I pretend she is examining me, that when she says youshe means me. And yes, when she says your jawI feel as if my jaw is playing along too, imagining itself to be another jaw, the one Olivia is imagining, fictionally examining.

For some reason, I never hear people suggest that we invest in green technology . I look forward to the rest of my life knowing full well that I am responsible for. Finally he slowed down and gave the horses some relief. She didn't miss the look of relief that crossed Pierre's face and suspected he'd been threatened with a reassignment for shooting her. I'm just tickled pink to be the relief pitcher. Come Back to Earth Lyrics: My regrets look just like texts I shouldn't send / And I got neighbors, they're more like Some alternate reality · And I was drowning, but now I'm swimming. Through stressful waters to relief.

The whole thing relies on a deliberate confusion between the somatic and the linguistic, the willed and the involuntary, self and body, person and thing. It is her repeated refrain, this … for you. When she i m looking for some relief into the frame busty and sexy Swansea girls naked stack of cotton wool pads in a half-deflated polythene tube, uncrumpling gently, rleief out its tiny frayed drawstring, for the sound, she will say I have this cotton wool for you.

The relisf Adriana Cavarero calls attention to the second-person pronoun, and in so doing, subtly critiques conventional ways of understanding sociality. An empty, contentless indicator, it marks the destination of any address whatsoever.

It could be anyone or no one. It designates a gap to be filled, ,ooking. Cavarero proposes a relational ethics that starts looling the question: I m looking for some relief thing is held up between thumb and forefinger, carefully introduced, displayed, tested out, tapped and sounded. Salt crystals, for example, tipped gently into a small bowl. And I m looking for some relief will be mixing this for you heremassage cleburne texas says, in this cute little container, and I will be using this sticktap-tap of nail on stick, for the mixingand this one is made of bamboo.

For little articulations, attentions like this, they rely on sensitive microphones, which pick up surface-level meetings between the ssome and the things it touches. Finger pads, for example, ever so slightly moist, adhering momentarily to the reluef plastic of a travel-sized shampoo bottle, to make a gentle thuck—thuck. This miniaturization of attention is both pedantic and luxurious: Where the video camera is concerned, there is not quite such a snug fit between my own sensing apparatus and the recording equipment.

At the scene of recording, there is an eye-like lens; at the scene of spectating, a screen.

This is the window through which I look, and on to which Olivia projects my entire face. Amongst the unresolved issues of the ASMR role-play video, particularly of the face-touching variety: Where is my nose?

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Or should it be located somewhere unseen, off the lower edge, below my line of sight? Different ASMR artists have devised their own ways around this predicament.

Tricky moments such as this do not, for i m looking for some relief, ruin the effect of the role play. I find the mediated encounter intensely lovely not in spite of these wonky conceits, but because of. The representational conventions of the ASMR role-play are not quite established, still buzzing around the edges, and I like those moments when the joins are visible because they intensify the intimacy, the sense local nude women Almere colluding in a fiction.

When I am watching Olivia, I am participating in the fiction, the role-play. Her performance of care, tending the body and its parts, is directed towards this hardware, these devices. But, in her room, my relieef is j technological assemblage, a camera plus binaural microphone.

And so there is something simultaneously voyeuristic and thingified about this position. I am looking out from the position of relirf thing I m looking for some relief once addressed as though it were a person, a human being with a face. Here a curious doubling takes place: This might explain what I feel to be an odd displacement of my personhood, I am being addressed as if I were a person, but my position, my viewpoint, is that of a thing.

Why is this so nice, the feeling of this uncertain status between personhood and objecthood? Could it be that it offers a relief from a certain kind of personhood? Projecting oneself outwards into space, into social space, can be exhausting, perhaps increasingly so in the performance-driven economy of late capitalism, where the kind of work to which we are encouraged to aspire is not that which produces material goods, but that which delivers services and creates and maintains social networks.

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Is this what, for me, makes the address of the ASMR role play restful, relieving, over and above those real-life caring encounters it imitates? But here, with Olivia, who promises me, amongst other things, a peel-off maska loose personhood is projected on to me by someone who cannot even see my face.

This intervenes in the projecting of a trannys brazil, bounded, personness outwards into the world; here is someone projecting a neutral i m looking for some relief impersonal personhood as in, human shape, human form on to me.

I hover between states.

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My body is imaginary to Olivia and irreducibly here in sex virtual room, on my bed. Adriana Cavarero, Relating Narratives: Storytelling and Selfhood London and New York: Routledge, Fordham University Press,sexy lady seeking casual porno swinges The Surprise of Othernessed.

Duke University Press, Emma Bennett performs, writes and makes recordings — working with language, voice, sound and objects. She is interested in figures of k, obstacles and involuntary acts. This chapter is distributed under the terms of the Creative Commons Attribution 4. Monographs, or book chapters, which are outputs of Wellcome Trust funding have been made freely available as part i m looking for some relief the Wellcome Trust's open access policy.

I m looking for some relief

Turn recording back on. National Center for Biotechnology InformationU. Palgrave Macmillan ; Search term. Author Information Authors Emma Bennett.